The Society for Embroidered Work, Surface and Depth. Exhibition in Rome, 2021

 I was proud to become a member of SEW in 2019 and delighted to be selected for their exhibition, Surface and Depth in Rome, October, 2021,

The exhibition was held in the Palazzo Velli Expo, in the Trastavere region of Rome as part of Rome Art Week. The aim of SEW is to promote and support stitched art as an artform by breaking down misconceptions, especially in Italy where contemporary embroidery is little known or recognised,

The response was amazing and the exhibition was really well received thanks to the organisers Olga   Teksheva, Felicity Griffin Clark and Cat Frampton. A major Italian newspaper, La Repubblica featured a double page spread about the show and publications in many other magazines thanks to the press officer, Stefania Vaghi. The show became one of the most visited in Rome Art Week.

I was fortunate enough to travel to Rome with my artwork.

                                             

                                               Patterns in Nature:

                                         Detail:

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                                              The gallery:

Thanks to Olga:

And Felicity:

Please see the S.E.W. instagram page for lots of beautiful images and information:

https://www.instagram.com/societyforembroideredwork/

 

Stitched Textile Artists Masterclass weekend August 2021

 This was a residential weekend led by textile artist Sian Martin in the beautiful surroundings of the Ammerdown Centre in Somerset.

Sian had suggested we look at the use of colour and mood, to consider what we are trying to evoke and how.

We were advised to take with us fabrics (preferably sheer) and threads in a colour range of our choice, plus some cheap nylon netting. Sian provided some CMC, a non toxic modelling paste.

I decided to continue with the same colour scheme as our previous (zoom) session as I still had enough space dyed silks to work with.  

Of course roses were still very much in my mind especially as they evoke so much emotion and so decided to explore their potential further.

During the first session Sian asked us to cut our fabrics up and sandwich between 2 layers of netting brushing with the CMC. These were left to dry overnight and in the morning we peeled the netting away to reveal a brand new surface on which to work! 

I was delighted to see that it looked like a sheet of rose petals!

Sian asked us to divide our new piece of fabric into 4 pieces

We were to produce 4 pieces evoking 4 different moods.

I considered the rose, noting the thoughts and words which came up as I worked. The rose as a bud and flower - full of promise followed by the inevitable decay, full of promise until changes take place; although decay may also be perceived as beautiful. The rose as part of a bouquet which may be celebratory ( think bright colours) or sent in sympathy (muted colours).

I chose to explore how a rose garden may change over the 4 seasons and the moods this may evoke.

I looked at the nature of my rose petal fabric, the reverse, the holey nature, the exquisite edges. 

Spring:

Soft colours, gentle stitching to evoke emergence, hope, growth, activity and renewal

I gently gathered and manipulated the fabric to suggest the idea of growth and activity going on below the surface 

Summer: 

Bold colours, abundance, opulence. In order to evoke a feeling of abundance I used strips of fabric for stitching in bright colours weaving in and out of the holes in the surface with french knots and running stitch

Autumn:

Summer's opulence has given way to a more subdued feel, This is work in progress and yet to be stitched. I love the edging achieved in this sample and the 'petals' which are falling away

 Winter:

A sense of winter closing in, darker colours and a feeling of heaviness. Work in progress and stitching yet to be worked to evoke the mood.

Four seasons:

I'm planning to develop this in the near future with another larger piece in the offing. Lots of opportunity to experiment with stitch to build on and evoke feeling.