Stitchery into paper
This chapter involved using any type of stitchery embroidered into the embedded grids made in chapter 7.
I attached backings of linen scrim attached with Bondaweb so that the samples could withstand stitching.
The stitching had to echo some feature in my research theme of lettering and media patterns and it was important to look back on on my previous stitchery samples for inspiration and ideas.
It took me a while to work this process out – to echo some features of my research theme of lettering and media. The logical side of my brain saw letters but I had to look further to appreciate the patterns they formed in stitching.
I chose lettering sample 11 from chapter 2 and sample 4 from chapter 7:
I wanted to make us of the grid patterns formed by the scrim coming through the paper as a basis for the letter patterning. I set about echoing these using straight /satin stitch but this looked too spiky so I softened it with some couching which added to the layered feeling of the letters. For the open grid I wrapped the drawn thread bars with stranded cotton to follow the patterning through and reversed the letter shapes on alternate rows to make them more abstract. I love the shadows which have been created behind it.
I created a new lettering sample using my colour scheme:
And sample 3 from the previous chapter:
For my embroidered sample I started by using a background of free zigzag to pick up on the impression left by the scrim sandwiched in the pulp. I added a random Chevron stitch [stranded cotton] to echo the letters N,Y,K. The chevron also added an interesting range of negative spaces which also reflected the background grid patterns. I added an extra strip of scrim to complete the N in the centre. The paper Y and K seemed to ‘kick’ in with the Chevron and are secured with more zigzag.
I learnt a lot with this piece especially with the chevron. I could let my ‘logical’ brain go and and let the abstract patterns produced by the stitching take over:
I was inspired by the collaged pattering of lettering samples from chapter 2:
And use the wrapped wire frame from ch 7 I’d thought about adding stitching in the spaces and Sian clarified my thoughts by suggesting adding letter forms:
Sian suggested that this sample from chapter 7 gave the impression of a sardine tin and that it would be interesting to stitch some fish into it.
Here they are. A lovely idea. With a simple straight stitch outline and the effect of the supermarket mesh to represent the fish scales I’ve produced a tin of sardines! Fun and quick to do!
This sample looks at pattering in text.
First in pencil:
Then in coloured inks with bamboo pen followed by stitching [Free machine satin / zig zag using whip stitch]:
I love the American Oak leaf and feel it has elements of my loopy handwriting so I wanted to try out an idea to look at the patterns as they form
I used a background of trapped threads from chapter 7:
and drew a rough sketch before working in free machined satin stitch
I really love the technique using dried PVA glue to form lettering from chapter 7
I’ve used cable stitch [stranded cotton, tapestry wool and knitting yarn] to represent this letter patterning and experimented with the addition of some Vermicelli on the lower part. Really love this.
I’m interested in somehow depicting the forest floor as we visited New York in the fall so I tried combining shapes of letters and leaves [chapter 7]
When I was drawing out this I thought it too busy but on the screen now it looks more interesting. In fact I could add more leaves on the right?
A simpler version:
Stitched samples. The yellow works best but shows up poorly on the purple
I tried stitching in purple for letters and yellow for the leaves but the yellow hardly showed up so I added purple which is slightly better. Disappointing as I’m keen to depict the forest floor. I tried adding a leaf shape for more impact.
Sian suggested I try adding these letter and leaf shapes to linen scrim and I’ve made some more samples as per the techniques in chapter 7 which are now drying and I’ll post these later.
This is my favourite sample and I’d like to use it as my embroidered panel for my final piece I think.
It has been inspired by this photo taken in New York. I loved it because the leaves were such a glorious colour and reflected the colour of the lights in the building behind. I collaged the image for my travel journal.
I used this lettering sample from chapter 2
And this piece of baking mesh dipped in paper pulp [chapter 7]
I machine wrapped the bars of the baking mesh to represent the building’s windows and letter forms. I varied the purple and yellow thread whilst adding whip stitch in places to vary tone
The trees were inspired by the photo and by an example of experimental drawn thread work in the book Drawn Thread Embroidery by Moira McNeill page 121.
I placed a piece of dyed linen scrim in a small embroidery hoop and stitched an oval outline. I withdrew threads horizontally from the centre over the lower two thirds of the oval and left the ends free at the edges. I free zigzagged the the vertical threads to represent tree trunks and branches. Some horizontal threads were left so I could loop them to depict leaves. I added some detached chain stitches. Really pleased with this.
I’ll post the new leaf and letter samples when they’re dry and I have experimented with some shaped viewfinders on some of these samples which are interesting. I’ll add those later too………